Published: March 28, 2025
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Reminder: Tolkien hated Disney. He called them "hopelessly corrupted" and knew they'd ruin any story they touched. Why? Tolkien's storytelling philosophy was profoundly different… (thread) 🧵

Image in tweet by The Culturist

The Hobbit was published a few months before the Snow White movie came out in 1937. Tolkien watched it with his friend C.S. Lewis, and later insisted that Disney *never* adapt his own works…

Image in tweet by The Culturist
Image in tweet by The Culturist

Tolkien dedicated his life to the study and creation of myths and what he called "fairy-stories". For him, age-old tales like Beowulf weren't just entertainment, but vehicles of profound truth, emerged from cultural soil over generations.

Image in tweet by The Culturist
Image in tweet by The Culturist

Disney took folkloric material and stripped it of its spiritual depth, commercializing what Tolkien deemed essentially sacrosanct. But how, exactly?

Image in tweet by The Culturist
Image in tweet by The Culturist

Take Snow White. In the Brothers Grimm original (1812), Snow White flees into the forest, bargains, and works to earn her shelter. In Disney's version, she simply sings to animals and waits to be rescued...

Image in tweet by The Culturist

Throughout, danger, violence and ambiguity were erased, replaced by a tale designed to comfort children — not warn them. Instead of Grimm's brutal justice delivered to the queen (forced to dance in red-hot iron shoes until she dies), the story ends with a kiss.

Image in tweet by The Culturist

Tolkien loathed sugar-coated storytelling like this, and kept the rough edges in his own works. The Hobbit was written for his children, but it contains anger, hardship, horror, evil and death.

Image in tweet by The Culturist

As G.K. Chesterton once said: "Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed."

Image in tweet by The Culturist

"Disneyfication" also deprived stories of spiritual weight — Grimm's original lost its deeper symbols of renewal, death and resurrection. And Disney's bumbling dwarfs lacked the depth of Norse tradition: craftsmen of the mountains, with deep, spiritual ties to the land.

Image in tweet by The Culturist
Image in tweet by The Culturist

Why were fairy-stories and myths so sacred to Tolkien? Because he knew that myths are not lies, but the precise opposite: "Myths convey the essential truths, the primary reality of life itself."

Image in tweet by The Culturist

He saw the great man-made myths through history as fragments of divine truth: "We have come from God, and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God..."

Image in tweet by The Culturist

Similarities among ancient myths arose because they were all pointing at the same truth, thought Tolkien. Then, one myth really came true at a tangible moment in history — the "true myth" that we are all living inside...

Image in tweet by The Culturist

So, more than mere fiction, Tolkien's myths were designed be lived at a deeper level of imagination. He saw fantasy world-building as a kind of "sub-creation" mirroring God's creation — NOT something to be cheapened or commercialized.

Image in tweet by The Culturist
Image in tweet by The Culturist

In 1937, Disney began sanitizing fairy stories for children. Now, they sanitize them for adults — contorting folkloric stories to fit modern politics...

Image in tweet by The Culturist

We go much deeper on Tolkien's works in our free newsletter... Do NOT miss tomorrow's email! 130,000+ people read it: culture, art and history 👇 https://www.culture-critic.com...

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