3 years back, I paid $800 for a 60-second product video. Hired a small crew. Rented lights. Found a location. Shot it. Realized one shot was wrong. Reshoot. Sent it to an editor. Waited. Got it color graded. Waited again. (PS: like & REPOST) Two weeks later, I had my video.
1. First, I tested RELIGHT. I took a flat, overcast shot. Changed it to golden hour. Then moody noir. Then soft studio. All after the video was already rendered. No lights. No crew. No reshoot. This alone would've saved me weeks on past projects.
2. Then I tested PROP SWAP. I placed the wrong product in a shot. Old workflow: Regenerate. Pray. Lose 2 hours. New workflow: Select the prop → swap it → done. Same motion. Same lighting. Same shadows. 30 seconds.
3. Next, INPAINT & CLEANUP. Random object in the background ruining the shot? Selected it. Removed it. Clean. No masking. No frame-by-frame editing. No After Effects timeline. This is compositor-level work without being a compositor.
4. Then I ran a test on AI COLORIST. Took a raw, ungraded clip. Applied a cinematic grade across every frame instantly. Consistent color. No banding. No flickering between cuts. This used to take hours in DaVinci. Now it takes seconds.
5. 3D TEXTURIZER + AI COLORIST
6. RESTYLE
Here's what changed: AI video is no longer "generate and hope." You can now: – Relight entire scenes – Swap props without reshooting – Remove objects cleanly – Fix continuity gaps – Grade footage instantly All inside VFX House by @invideoOfficial — powered by Kling o1. No
Thanks
Yes...
😅😅😅
It's VEO 3.1
It was a local agency
Yes...absolutely correct